L.Frank Baum, Education And Aunt Jane’s Nieces

L.Frank Baum, the famous writer of many children’s books, had an undisguised distaste and wariness for formal education.  He satirized formal education in the character of the Highly Magnified Wogglebug, who, through a mix-up in a science experiment, became human size(“highly magnified”) with an air of superiority.  The Wogglebug thinks crude puns proof of a higher intelligence and mimics the attitudes of the professors whom he watched.  He establishes the Wogglebug College where “scholars” are given magic pills to swallow that are full of information for the next exam.  But the Wogglebug and his arrogance is out of place in Baum’s world where people usually don’t brag about their accomplishments but demonstrate them through action.  Baum is more concerned with the Latin root of education,”educare”, “to draw out”, rather than the formal curriculum that originated with the ancient Greeks.

Baum placed great emphasis on moral and social education as opposed to formal education.  It is significant that in Aunt Jane’s Nieces there is almost no mention of college or formal education.  To Baum, character development is the only meaningful kind of education.  He makes this clear through the personage of Uncle John in Aunt Jane’s Nieces on Vacation(The girls have proposed starting their own newspaper in Millville, which causes Arthur Weldon, Louise’s fiancee, to condemn the venture as madness.):  “I’m educating my girls to be energetic and self-reliant.  I want to bring out and develop every spark of latent ability there is in them.  Whether the Millville Tribune succeeds or fails is not important;  it will… tax their best resources of intellect and business ability…”  For Baum, intellect is sharpened through challenging experiences instead of studying books.  Baum was a doer and this spirit permeates all ten of the Aunt Jane’s Nieces volumes.

Baum believed that only through hard work, persistence and true friendship could an individual’s mental life unfold.   Using Uncle John as a kindly mentor, he subjects the nieces to difficult obstacles they need to overcome.  The nieces are exposed to violence, dissipation, rampant corruption, condescension and abduction, but they always persevere.  Despite being competitors for an estate, they learn to appreciate each others strengths and help each other to deal with their weaknesses.  The last volume in the series, Aunt Jane’s Nieces in the Red Cross, subject them to their toughest test:  the agonies of war.  This dark book, stark in its description of war casualties, shows the nieces as caring, active participants as they heal the wounded and deal with the psychological trauma of war.  But they have been well-trained by their teacher, Life, and are able to bring joy and comfort when needed, and so are educated in the highest sense of the term.   

Children’s Independence Day: July 4, 1862, Part 2.

And, as the man began to speak, a strange thing happened.  Shock waves were felt in libraries across the world.  Strong winds blew books off the shelves.  And the moralizing, degrading, pompous tomes were cast into a literary black hole.  The Mary Martha Sherwoods, Sandford and Mertons, Anna Laetitia Barbaulds, faded into oblivion.  New books of beauty took their places.  The garden of childhood was opened to reveal an abundance of green carefree space, filled with toys, games and a treasure trove of waiting memories.  The man took the oars, and continued his tale, inspired by the gazing eyes of three young girls.  He was truly in his element.  And through a series of gestures, the twinkle in his eye, the wry smile that crossed his lips, he drew his listeners ever closer into his tale.  As he spun his story, the adult world, which had tyrannized children for centuries, was mocked, and turned on its head.  The hypocrisy, the insipid moralizing of adults, was transformed into utter nonsense, much to his young audience’s delight, who clapped their small hands and laughed for joy.  He even included the girls in his story and gave them parts like a dramatist.  He also borrowed from the outings they had shared:  tea parties, new rules for croquet, a pack of cards, magic tricks, picnics on the lawn.  The sound of the river strokes blended with the speaker’s soft voice…  The rain that delayed their journey the previous day had disappeared completely, although it reappeared in the continuing tale.  The narrator was also included in the story, but yielded to the presence of one Victorian girl.  It was she with dark cropped hair that had captivated Charles the most.  The far reaching eyes, the pensive mind, the girlish laughter.  He courted her in the only way he knew; through whimsy, playfulness and ineffable charm.  Like a conjurer, he opened the garden of childhood to Alice.  She was just the right age to enjoy the assault on the adult world and her own place in it.   Charles was brimming with ideas that spilled into the wonderland of his story.  The ideas came from mathematics, philosophy, politics, discussions he had with colleagues at Christ Church.  He had told stories before, but entranced by his eager audience, and enamored of Alice, he wove such a compelling tale that it ignited a revolution in literature and changed the concept of childhood forever.  Its iridescent glow peaked through the catacombs, and lit up the literary canvases of George MacDonald, Kenneth Grahame, L. Frank Baum and countless others extending the realm of the child still further…  Charles was unsuccessful in his courtship of Alice, and was ultimately banished from her home.  But, he gave her a special gift; that of literary immortality…

Charles with his two Alices

Charles with his two Alices

King Machush The First And The U.S., Part 2.

In the first part, I tried to convey a sense of Janusz Korczak’s children’s novel.  In this part, I will attempt to show why this novel has not gained acceptance in the U.S.

Polish history is a major factor in this lack of acceptance.  Towards the late eighteenth century, Poland was seized and divided into three parts by Russia, Prussia, and Austria.  It remained occupied until 1918.  Whatever Polish government there was, was regulated by the desires of the three countries.  It is not a coincidence that Korczak mentions three foreign kings in the Machush novel.  Furthermore, Korczak himself stated he would never marry, because he didn’t want his family to be prisoners.  This notion of an intruder taking over is deep in the Polish conscience, but has no parallel in American culture.  There is almost a kind of paranoia in Polish culture that any individual at any time can take over and bring the country to chaos.  In the U.S,. the individual is a sign of hope.  There is a feeling that one person can change the world for the better.  This was especially true in the 1970s.  American and Polish cultures could not be more different.  The news reporter destroys King Machush’s attempts to create a better world, but when John Merrick enters his nieces’ life, in L.Frank Baum’s series, Aunt Jane’s Nieces, he brings support and love.  Chaos in government is also a major theme in Polish thinking.  A government out of control occurs in many of Korczak’s works.  In one of Korczak’s later works, Kaitush the Wizard, Kaitush is attacked by his own government after attempting to do good.  But in the U.S., government has been relied on and it’s strength has always been emphasized.  Polish government has been seen as chaotic and weak, while American government has been seen as possessing order and stability.  The contrast is evident.  Korczak also believed in introducing children to the harsh realities of life: poverty, cruelty, injustice.  King Machush disguises himself as a peasant, so he can learn about the reality of war in his kingdom.  Machush, although a child, is never spared taunting, hunger, pain, abandonment, betrayal.  American culture has tried to protect children from such indignities.  Indeed, in the 1950s, one couldn’t mention child abuse in many schools.  Even today, certain topics are considered taboo and reasons for a teacher’s dismissal if they are brought up by the teacher.  There could not be a greater difference in outlook towards childhood.  Finally, Korczak was a firm believer in children’s rights.  He believed children should have their own parliament, their own form of government.  However, he never idealized children and emphasized that order comes from discipline and hard work.  In the 1950s and later, America was one of the few major countries to refuse to sign the United Nations Charter on Children’s Rights.  Public schools in America have been largely totalitarian in nature with strong centralization.  Corporal punishment was a given through the 1950s.  Student government was limited to one token representative who had absolutely no power.  Matters are improving, but Korczak’s manifesto of children’s rights would still strike a dagger in many a parent’s heart.  I would argue that for an American to fully appreciate Korczak, s/he would need to be aware of the many inherent differences that exist between Polish and American culture and have the desire and the openness to look beyond them.

“I Think The World Is Like A Great Mirror,…”: A Look At Aunt Jane’s Nieces

“I think the world is like a great mirror, and reflects our lives just as we ourselves look upon it.  Those who turn sad faces toward the world find only sadness reflected.  But a smile is reflected in the same way, and cheers and brightens our hearts.”  So says the crippled girl, Myrtle Dean in Aunt Jane’s Nieces and Uncle John, but it could easily sum up L. Frank Baum’s philosophy of life, and Aunt Jane’s nieces embody that philosophy through their different personalities.  Patricia Doyle, the beloved daughter of Major Doyle, is an impetuous redhead with sparkling eyes, who, although quite poor, takes a positive attitude toward life.  Elizabeth de Graf is an unwanted daughter, who has a cold, untrusting nature, but will try to make the most of any situation.  Louise Merrick is a somewhat shallow, vain, society girl, but displays determination when confronted by obstacles.

Baum had an optimistic view of life even though he suffered from heart disease.  He was a doer and loved to travel and seek adventures as do the nieces and virtually every major female character in Baum’s writing.  He embodied the American philosophy that life gives you the opportunities to make something of yourself, but you must provide the initiative.  Madeleine L’Engle expressed this idea profoundly in A Wrinkle in Time:  “You’re given the form, but you have to write the sonnet yourself.”  Baum could not have agreed more.