L.Frank Baum, Education And Aunt Jane’s Nieces

L.Frank Baum, the famous writer of many children’s books, had an undisguised distaste and wariness for formal education.  He satirized formal education in the character of the Highly Magnified Wogglebug, who, through a mix-up in a science experiment, became human size(“highly magnified”) with an air of superiority.  The Wogglebug thinks crude puns proof of a higher intelligence and mimics the attitudes of the professors whom he watched.  He establishes the Wogglebug College where “scholars” are given magic pills to swallow that are full of information for the next exam.  But the Wogglebug and his arrogance is out of place in Baum’s world where people usually don’t brag about their accomplishments but demonstrate them through action.  Baum is more concerned with the Latin root of education,”educare”, “to draw out”, rather than the formal curriculum that originated with the ancient Greeks.

Baum placed great emphasis on moral and social education as opposed to formal education.  It is significant that in Aunt Jane’s Nieces there is almost no mention of college or formal education.  To Baum, character development is the only meaningful kind of education.  He makes this clear through the personage of Uncle John in Aunt Jane’s Nieces on Vacation(The girls have proposed starting their own newspaper in Millville, which causes Arthur Weldon, Louise’s fiancee, to condemn the venture as madness.):  “I’m educating my girls to be energetic and self-reliant.  I want to bring out and develop every spark of latent ability there is in them.  Whether the Millville Tribune succeeds or fails is not important;  it will… tax their best resources of intellect and business ability…”  For Baum, intellect is sharpened through challenging experiences instead of studying books.  Baum was a doer and this spirit permeates all ten of the Aunt Jane’s Nieces volumes.

Baum believed that only through hard work, persistence and true friendship could an individual’s mental life unfold.   Using Uncle John as a kindly mentor, he subjects the nieces to difficult obstacles they need to overcome.  The nieces are exposed to violence, dissipation, rampant corruption, condescension and abduction, but they always persevere.  Despite being competitors for an estate, they learn to appreciate each others strengths and help each other to deal with their weaknesses.  The last volume in the series, Aunt Jane’s Nieces in the Red Cross, subject them to their toughest test:  the agonies of war.  This dark book, stark in its description of war casualties, shows the nieces as caring, active participants as they heal the wounded and deal with the psychological trauma of war.  But they have been well-trained by their teacher, Life, and are able to bring joy and comfort when needed, and so are educated in the highest sense of the term.   

Some Thoughts About Scrapbooks, The New Year And Writing

My baby scrapbook, published by Richard G. Krueger, Inc. and designed by Ditzy in 1946. It was a gift from my godparents Aunt Jackie and Uncle Ralph.

My baby scrapbook, published by Richard G. Krueger, Inc. and designed by Ditzy in 1946. It was a gift from my godparents Aunt Jackie and Uncle Ralph.  At that time my name was “Rodger” Weiss, but was soon changed to Robert Weiss.

“Life may be a stage, but I wish I didn’t have a reserved seat!”–Uncle John from Aunt Jane’s Nieces by L. Frank Baum

Usually in the month of January I peruse my many scrapbooks.  I begin by looking at my baby scrapbook with its satin sheen cover and remarks about me by my mother, Twyla.  It takes me back to my childhood days of the 1950s, when people left their doors open, kids had vacant lots and piles of sand to play in, and lemonade stands were plentiful with lemonade one cent a cup.

However, time goes on and memories begin to fade as new memories take their place.  The almost unbearable slowness of  early childhood is exchanged for the almost unbearable speed of late adulthood.  And New Year follows New Year.  I think of lines by Robert Clairmont from Forever X:

When wrinkles cut your brow

And love goes gaily by,

Sing:  Young, old, tiny, tall,

Whatever happens, happens to all

When we leave this Odd Old Ball.

Indeed, this earth truly is an “odd old ball”.  Events follow events, triggering other events.

Like any mathematical curve, life has points that mark a change of direction.  Some of these points are obvious:  marriage, the birth of children, the loss of a beloved family member.  However, other points are not so obvious and I must admit that I envy Truman Burbank for he is able to “rewind” his life from the time he escaped his set up world to his birth.  Thus, he can see how certain events changed his thinking and further actions.  I am not so fortunate.  And when I look through old scrapbooks only pieces of experiences remain, so I have to reflect and guess at events that might have caused my life to shift dramatically.  Such critical points mark the essence of theater, novels and other writings where an author can juggle them and insert them where s/he wills.  Perhaps, that sense of power and completeness is what attracts us to literature.  The writer plays God just as Christoff does with Truman.  However, the individual must depend on his/her own wavering memories to try to understand the meaning of his/her life.

King Machush The First And The U.S., Part 2.

In the first part, I tried to convey a sense of Janusz Korczak’s children’s novel.  In this part, I will attempt to show why this novel has not gained acceptance in the U.S.

Polish history is a major factor in this lack of acceptance.  Towards the late eighteenth century, Poland was seized and divided into three parts by Russia, Prussia, and Austria.  It remained occupied until 1918.  Whatever Polish government there was, was regulated by the desires of the three countries.  It is not a coincidence that Korczak mentions three foreign kings in the Machush novel.  Furthermore, Korczak himself stated he would never marry, because he didn’t want his family to be prisoners.  This notion of an intruder taking over is deep in the Polish conscience, but has no parallel in American culture.  There is almost a kind of paranoia in Polish culture that any individual at any time can take over and bring the country to chaos.  In the U.S,. the individual is a sign of hope.  There is a feeling that one person can change the world for the better.  This was especially true in the 1970s.  American and Polish cultures could not be more different.  The news reporter destroys King Machush’s attempts to create a better world, but when John Merrick enters his nieces’ life, in L.Frank Baum’s series, Aunt Jane’s Nieces, he brings support and love.  Chaos in government is also a major theme in Polish thinking.  A government out of control occurs in many of Korczak’s works.  In one of Korczak’s later works, Kaitush the Wizard, Kaitush is attacked by his own government after attempting to do good.  But in the U.S., government has been relied on and it’s strength has always been emphasized.  Polish government has been seen as chaotic and weak, while American government has been seen as possessing order and stability.  The contrast is evident.  Korczak also believed in introducing children to the harsh realities of life: poverty, cruelty, injustice.  King Machush disguises himself as a peasant, so he can learn about the reality of war in his kingdom.  Machush, although a child, is never spared taunting, hunger, pain, abandonment, betrayal.  American culture has tried to protect children from such indignities.  Indeed, in the 1950s, one couldn’t mention child abuse in many schools.  Even today, certain topics are considered taboo and reasons for a teacher’s dismissal if they are brought up by the teacher.  There could not be a greater difference in outlook towards childhood.  Finally, Korczak was a firm believer in children’s rights.  He believed children should have their own parliament, their own form of government.  However, he never idealized children and emphasized that order comes from discipline and hard work.  In the 1950s and later, America was one of the few major countries to refuse to sign the United Nations Charter on Children’s Rights.  Public schools in America have been largely totalitarian in nature with strong centralization.  Corporal punishment was a given through the 1950s.  Student government was limited to one token representative who had absolutely no power.  Matters are improving, but Korczak’s manifesto of children’s rights would still strike a dagger in many a parent’s heart.  I would argue that for an American to fully appreciate Korczak, s/he would need to be aware of the many inherent differences that exist between Polish and American culture and have the desire and the openness to look beyond them.

“I Think The World Is Like A Great Mirror,…”: A Look At Aunt Jane’s Nieces

“I think the world is like a great mirror, and reflects our lives just as we ourselves look upon it.  Those who turn sad faces toward the world find only sadness reflected.  But a smile is reflected in the same way, and cheers and brightens our hearts.”  So says the crippled girl, Myrtle Dean in Aunt Jane’s Nieces and Uncle John, but it could easily sum up L. Frank Baum’s philosophy of life, and Aunt Jane’s nieces embody that philosophy through their different personalities.  Patricia Doyle, the beloved daughter of Major Doyle, is an impetuous redhead with sparkling eyes, who, although quite poor, takes a positive attitude toward life.  Elizabeth de Graf is an unwanted daughter, who has a cold, untrusting nature, but will try to make the most of any situation.  Louise Merrick is a somewhat shallow, vain, society girl, but displays determination when confronted by obstacles.

Baum had an optimistic view of life even though he suffered from heart disease.  He was a doer and loved to travel and seek adventures as do the nieces and virtually every major female character in Baum’s writing.  He embodied the American philosophy that life gives you the opportunities to make something of yourself, but you must provide the initiative.  Madeleine L’Engle expressed this idea profoundly in A Wrinkle in Time:  “You’re given the form, but you have to write the sonnet yourself.”  Baum could not have agreed more.